review: one with you

Note: One With You is the fifth and final book in Sylvia Day’s Crossfire series.  If you have not read the first four books in this series, there will be spoilers below.

One With You by Sylvia Day (2016)

One of the reading goals I set for myself for 2016 was to finish some series I had been in the middle of for a long while and catch up on others that have not yet ended.  The Crossfire series by Sylvia Day was on that list of series to be completed, and so here we are. The story of Gideon Cross and Eva Tramell has now reached its end.  I’m not going to lie–I was not happy with the way book four in this series, Captivated By You, ended, and also I haven’t been Eva Tramell’s greatest fan.  Looking at the series as a whole, my first conclusions is that I have liked the series, but maybe I haven’t loved it–at least, not since the end of book three. One of the first things you’ll read about this series is that it’s in the same category of Fifty Shades of Grey and well, I guess there’s no getting around that comparison though it’s one thousand times better than that series.  But, if I’m being honest, it’s also in the same category as the Hacker series by Meredith Wild and the Stark Trilogy by J. Kenner.  Of these four series, the Stark books by J. Kenner are the best, and though I don’t think it really matters, I still ask myself which is second best, the Crossfire series or the Hacker series.  I don’t yet know the answer to the question or if I ever will, but maybe I’ll work it out as I write about One With You.

Because this the last book in a series, there’s a lot of ground to cover, and perhaps that explains the length of the novel itself (and perhaps the length of the novel is one of the strikes against it rather than an aspect in its favor).  There are some loose ends to tie up in this series, and perhaps the best place to start with that without giving away too many spoilers is the resolution of the thread of the storyline that has explored Gideon’s relationship to his own family.  Throughout, he’s had strained relationships with his mother and his stepbrother, Christopher; his relationship with his stepsister, Ireland, has evolved; his relationship with his stepfather, Chris, got a lot more complicated at the end of book four but resolves itself in One With You.  Day doesn’t do the thing that you might expect–she doesn’t give an epilogue that tells you what the characters’ lives look like years into the future.  Instead, she leaves you with a chapter at the end of the book that gives you a sense that Gideon’s relationships with his family aren’t fully healed, but for the most part there’s hope for the future.  Along those same lines, now that Gideon and Eva are settling into married life and trying to figure out what it means to be a team facing whatever challenges come their way, it also means that Gideon has to handle becoming part of Eva’s family.  This aspect of the story plays into bringing the development of Gideon’s character to its finish.

Speaking of character development.  Gideon’s arc at the end of One With You feels like it ends with him being assimilated back into a familial structure that he appears to have existed outside of since his father committed suicide when he was a child.  He is still a flawed character prone to making mistakes, but at least now those mistakes don’t threaten to take away everything he holds dear.  On the opposite side is Eva’s character arc.  I said above that I wasn’t thrilled with how book four ended.  Probably because I felt like she resorted to a temper tantrum and an ultimatum to get her way and it just felt manipulative and selfish.  For me, one of the things she has had to learn throughout her journey is forgiveness as well as the fact that it’s unreasonable to expect that someone will always react and behave exactly as you want them to.  I don’t want to be critical, but I think that’s always been one of the aspects of her character that have turned me off from the very start.  No one can be exactly as we want them to be, even if they are trying their hardest to fit our ideal.  I think this is one of the realizations that was necessary for her character to show growth, and she does finally achieve it, though it happens after a horrible event takes place that I was not expecting at all.  One of the most important things about serial fiction that distinguishes the good from the bad is how invested I am in the characters and watching them develop over the course of several books.  In that aspect, the Crossfire series doesn’t disappoint.  Though I’m probably more partial to Gideon than Eva, I have to admit that once I started I couldn’t put a single one of the books in this series down.

Something else about the book that puzzles me and makes me want to write about it is one of the mysteries that surfaces in this book that has never been alluded to in any of the other books.  I don’t think it’s revealing too much to say that it is a mystery that involves Eva’s mother, Monica.  What I don’t really get is why this was even in the book to begin with.  Theoretically, it would be something that drives the action, but it’s a plotline that really just exists on the edges of the story and for me doesn’t really add much overall.  Also, One With You follows the same narrative structure as Captivated By You–the narration switches with each chapter from Eva’s first person point of view to Gideon’s (Eva has the odd chapters and Gideon has the evens).  This is worth noting because for the first three books in the series, the books are told entirely from Eva’s first person point of view.  The change was a welcome one in book four and I’m glad Day carried the narrative style into the final book.  It made the final conclusion much more satisfying than if I’d only gotten it from Eva’s perspective.

Ultimately, it wasn’t an epic ending.  Yes, some surprising revelations are made and Gideon and Eva are finally on the same page at the close of the novel.  Their love story has a happy and hopeful ending.  There is also a tragic event that turns up the emotion.  It was a satisfying conclusion and my investment in the characters was rewarded.  Perhaps it tried to do too much, but I would rather that be the problem than not doing enough.  In the final analysis, this series has been a good read and I would recommend it to fans of the genre.  I started this series almost two years ago, and though I have enjoyed checking in with the characters over that span of time, I’m also okay with bidding them farewell.

review: hunted

Hunted by Kevin Hearne (2013)

Hunted is the sixth book in Kevin Hearne’s Iron Druid Chronicles series, which features Atticus O’Sullivan, a two-thousand year old Druid.  If you haven’t yet discovered this series, I highly recommend it.  The first book in the series is Hounded.  There are spoilers below for readers who have not completed book five, Trapped.  You have been forewarned.

Hunted picks up right where Trapped left off.  If you need a reminder, goddesses Diana and Artemis are intent upon killing Atticus for ripping five Dryads from their trees in order to flee the wrath of Bacchus.  All of the Old Ways that would grant Atticus, Granuaile, and Oberon to flee to the alternate plane of Tír na nÓg have been blocked, and the trio are left to run–yes, run–across Europe as they are hunted by the goddesses.  Oh, and don’t forget that Loki has arisen and Ragnarok is on the eve of beginning. There is also still the matter of Theophilus, a Roman vampire who is directly responsible for the near extinction of Druids and wants Atticus and Granuaile dead.  There is also an enemy within the Tuatha Dé Danann who is intent upon ending Atticus.  Which is all to say there are a lot of enemies to run from and there is a lot going on in this book.  There are also two major deaths in Hunted, and though I have no intention of naming names, those events add an extra punch to the book and only raises the stakes even higher.  If you hadn’t felt it by the time Trapped ended, Hunted definitely leaves you with a sense that war is looming and worrying about whether all of our favorite characters will make it out alive.

From the first book in this series, one of its strengths have been Atticus’ voice as a first-person narrator.  He is two-thousand years old and yet up on all the current lingo and pop culture references of the day, while at the same time he can quote passages from Shakespeare and Dante at will and make them applicable to his current situation in a way that makes those writers accessible to the typical reader.  His view on life and the human condition, particularly during the more philosophical passages of his narrative, are what give the series depth and have made it resonate with me as a reader; they are also likely some of the reasons why I’m so invested in Atticus, his adventures, and how all of this is going to play out.  The internal by-play between him and Oberon, his Irish wolfhound, adds another rich layer to the narrative, and I laughed out loud when Oberon made a direct reference to one of my favorite films (and books, for that matter) of all time, The Princess Bride.  All of this makes it even more notable when Hearne elects to diverge from Atticus’ first person narrative and allow us to see some of the action through Granuaile’s first person point-of-view.  Granuaile’s voice is significantly different from Atticus’.  More serious in tone, I think, and though she communicates her rapturous joy with being a new Druid connected to the Gaia and the earth, there’s a certain gravity in her narrative tone that is missing from Atticus’.  I have not yet figured out the meaning of this–or if there is a reason at all–other than that Hearne wants to show how becoming a Druid and being in all of these life and death situations with Atticus on top of standing on the brink of war right beside has changed her.  Atticus himself makes note of this change at one point in the book, just in case we missed its importance, and this is an aspect of Granuaile’s character development that also bears keeping on our eyes on as we enter the final three books of this series.  Of course, I really wanted to read this through my literary gaze, the emergence of Granuaile’s voice in the narrative is quite possible connected to her transformation into a Druid as well as her importance to the events unfolding and a signal that she, too, has a role to play in what is to come.

The book’s title is a strong theme that carries throughout the novel, and it is not only Atticus who reflects on the feeling of being hunted, but so does Granuaile.  Although the Olympians are hardly friends by the end of the book (more like frenemies), there appears to be no end to the number of people who want to help Atticus into the hereafter.  Even in the book’s climactic showdown, Atticus is in the position of being the hunted.  Though I must admit that I didn’t recognize the showdown for what it was. When I got to the Epilogue, I thought to myself, wait, that was the end?  It felt anticlimactic, especially when compared to the previous novels in the series, but again I attribute this to the fact that it is the end of the second movement of the series.  The showdown scene provides plenty of information but nothing that truly illuminates one of the challenges looming on the horizon–that being who among the Tuatha Dé Danann is plotting against Atticus? I can’t help wondering if I’m the only reader who anticipates a really surprising ugly betrayal in Atticus’ near future?

As is always the case when I finish a book in this series, I’m definitely looking forward to the next installment.  From everything I’ve read, this is going to be a nine-book series, and I will be sad when it is finished but plan to enjoy what is left and all that is to come.  I can only say that I’m expecting an epic conclusion and sincerely hope Hearne doesn’t let me down (yes, I’m looking at you Dead Ever After).  The next book in the series, Shattered, is already on my bookshelf and given what happens at the very end of the book–the surprise introduction of a character I never would have imagined popping up–I am positive it will be quite entertaining.